Body, Perception and Visibility: Intermediality Between Painting and ET Phenomenology in Cézanne and Merleau‑Ponty

Authors

  • Dr. Naima BOUCHERIT

Keywords:

Body, Phenomenology, Philosophy, Art, Merleau‑Ponty, Painter, Paintings, Paul Cézanne, The Large Bathers, Perception, Lived Body, Intermediality, Vision, Eye, Mind, Visible, Invisible,Experience, Language, Nature.

Abstract

The text explain how Paul Cézanne’s paintingand Maurice Merleau-Ponty’s philosophyboth try to rethink the relation between the body,the world, and perception. Instead of the classical idea that separates mind and body

 

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References

Maurice Merleau-Ponty, Phénoménologie de la perception, Paris, Gallimard, 1945, p.164.

Ibid. p. 169.

Paul Cézanne, Tableau «Les Grandes Baigneuses» 1905, huile sur toile.

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Published

2024-12-14

How to Cite

Dr. Naima BOUCHERIT. (2024). Body, Perception and Visibility: Intermediality Between Painting and ET Phenomenology in Cézanne and Merleau‑Ponty. Pegem Journal of Education and Instruction, 14(4), 584–604. Retrieved from https://pegegog.net/index.php/pegegog/article/view/5055

Issue

Vol. 14 No. 4 (2024): PEGEGOG

Section

Article

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